The Stained Glass Tradition

The Stained Glass Tradition
By Keith Londrie

Stained glass reached the state of the art in the early 11th century. Many gothic structures used such windows and even today they impose themselves with their beauty and their ingenuity. In those times men set up a glass factory wherever nature allowed one to be built, namely near a silica deposit. Silica is the main and most important ingredient in glass making. To obtain colored panes, people used the help of chemistry. While still liquid, an amount of metallic oxide was mixed in the melting pot. This gave the material its color.

Man knew colored glass from ancient times so the Romans, the Egyptians and the Greeks were renowned glass artisans. During the 5th and 6th century, the technique we know today as stained glass began to show its face. Early creations can be admired today in museums. At first, they combined thin pieces of alabaster inside a wooden frame; this gave a similar effect. Later on, Asian manufacturers used pieces of colored glass to create what we know today as stained glass.

For more detail, artists use painting techniques that enhance the overall design and complete difficult to fill areas. One interesting thing about these marvelous windows is that the only role they play is to dose the light and to make it difficult to see what happens inside the structure. The themes used in these masterpieces are religious (inspired from bible), symbolic or inspired from literature and myths. Some of them display scenes from the life of Jesus Christ and other religious figures. These are present everywhere on the windows of medieval churches.

Creating state of the art stained glass panes involves a lot of artistic genius and a lot of experience. Artistic skill and engineering skill are a must for designing the theme and the structure of such an artwork.

Nowadays, in the 21st century, this technique is used in combination with modern forms of art. A revival of the gothic style took place after WWII. Many monuments lost their windows during the war. Great German artists like Ervin Bossanyi, Ludwig Schaffrath, Johannes Shreiter, and Douglas Strachan took the matter in their own hands and struggled to make and old art form a contemporary one. Nowadays there are not many places where to study the traditional ways of stained glass making.

Despite this fact, stained glass is frequently used for home accessories and interior design elements. Either if it’s a lamp or a window, a piece of stained glass will always add a finishing touch to your home.

Keith Londrie II is the Webmaster of http://www.stained-glass-info.info/ A website that specializes in providing information stained Glass that you can research on the internet. Visit http://www.stained-glass-info.info/ now!

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Mission Style Stained Glass Panels

Mission Style Stained Glass Panels
By Sarah Freeland

Mission style has a very wonderful history, dating back to Spanish missions and drawing influences from Mexico, California and Santa Fe. This simple style uses lovely dark wood and clean lines. It is still very popular today because of the way it so seamlessly blends function with style. If you choose to use mission style furniture and decorating techniques in your home, you should know that mission style stained glass panels are available. Using the extra touch of stained glass, you can really pull a room together.

Mission style stained glass panels tend to be very different from regular stained glass. One of the biggest differences is the color. Mission style is very subtle; it takes a lot of its inspiration from the earth, specifically the desert. The colors of mission style stained glass are usually brown, gold, and amber. Occasionally you might also find green, red, or rich orange. These colors are meant to go perfectly with simple dark wood furniture and earthy tones.

Another one of the biggest differences between mission style stained glass and other stained glass is the designs. While Victorian and religious stained glass is mainly designed with animals, deities, floral arrangements and elaborate scenes, mission style glass is much simpler. The designs you will find in mission style stained glass panels are shapes, tribal designs and sometimes an arch or mountain. Often, these designs will evoke Native American influences, a tribute to our American Ancestors.

If you are interested in the mission style, you should consider using stained glass in your home. You might choose to go all out and have mission style stained glass panels installed. If you aren’t quite ready for the commitment or price tag that comes along with this, however, you can still use mission style stained glass in your home. Consider purchasing a lamp with this design. That way, you can enjoy this unique stained glass on a much simpler level.

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Easy Stained Glass Projects

Easy Stained Glass Projects
By Keith Londrie

There are many products that feature stained glass. However it is fun to create your own objects with stained glass. They will be unique and you will spend some time having fun and expressing your personality.

Stained glass mosaic.

Stained glass mosaics are stand alone art pieces. They can add charm to your home. In fact it is quite simple to do one by yourself. All you need is a pattern, stained glass chips and glass glue and grout.

Get a stained glass patterns book or search the internet to find the pattern for your mosaic. Transfer the pattern over the surface you will use for the mosaic. If you will use a round surface such as a vase you will need smaller stained glass chips. Than glue them over the surface.

Once all of the chips are glued apply the grout. If you need to color it add a bi of acrylic paint to reach the desired color. Fill all gasps with grout and let dry. The final step is to clean the ready mosaic with a soft cloth.

Stained glass mirror frame.

Crafting a stained glass mirror frame is similar to making a stained glass mosaic. You will need the same materials as well. The tricky part is in choosing a pattern suitable for a frame like project. You can make a full frame on the mirror edges or just enhance the corners.

If the mirror you will work on is on the wall you better take it down and place it on a flat surface. This will ease your work while applying the stained glass chips and gluing them over the mirror.

Follow the steps above and let dry for at least 24 hours before hanging the mirror on the wall again.

Stained glass lamp.

A side table lamp or a bed table lamp will look gorgeous if it is made of stained glass. Craft one yourself or revamp your old lamp in this famous tiffany style.

If you have an old bedside lamp remove the old shades and cut suitable glass pieces to replace them. Than glue colored glass pieces over the new glass shades in the desired pattern. It is better to larger pieces so that the grout is less allowing maximum light to pass through.

You can also craft a stained glass chandelier using stained glass pieces. Glue them over small glass pieces to create cute small patterns and hang them on the old glass pieces places. This will give new life to your own chandelier and add subtle luxury to your room.

There are much more easy projects you can do for yourself of as gifts for your loved ones. You can craft a stained glass jewellery box, a stained glass lunch box or even a stained glass dog bowl. Use your imagination and let your artistic side express itself.

Keith Londrie II is the Webmaster of http://www.stained-glass-info.info/ A website that specializes in providing information stained Glass that you can research on the internet. Visit http://www.stained-glass-info.info/ now!

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Antique Authentic Tiffany Stained Glass

Antique Authentic Tiffany Stained Glass
By Sarah Freeland

When you think of the most beautiful and luxurious stained glass in the world, you should think antique authentic tiffany stained glass. Their stained glass has been gracing glorious churches and the most lavish homes for over 30 years. With a reputation like that, everyone who wants to experience the good life wants a piece of the most famous stained glass in the world. Here is how to get some for yourself.

If you can afford it, hiring tiffany experts to install antique authentic tiffany stained glass in your home is the best way to experience it. They can create gorgeous window panels, brilliant beveled sky lights, elegant picture windows, and even entire ceilings out of the beautiful stained glass. Imagine having blue stained glass above your indoor pool, a magnificent beveled sky light in your bathroom, or ornate picture windows lined in stained glass throughout your master bedroom!

Another great way to have antique authentic tiffany stained glass in your home is to purchase one of their famed tiffany lamps. These lamps have been adored for years by brides, antique collectors and families. They have been lovingly handed down to new generations. With so many designs to choose from these handcrafted lamps are the perfect addition to any home and will match any decorating scheme.

One place to purchase antique authentic tiffany stained glass lamps is through a certified authentic tiffany dealer. It is very important to find someone you can trust when you are purchasing authentic tiffany lamps. You should look for a quality shop; there are many available in all major cities. Or head to your local mall. Many high-end department stores are qualified to sell tiffany lamps. If you are unsure of your dealer, you should check with tiffany headquarters before buying anything.

Another option when it comes to tiffany lamps is to purchase copies. These knock-offs can be almost as beautiful as antique authentic tiffany stained glass lamps is you find one that is good quality. You can find these imitation lamps on ebay.com and in pawn shops and antique stores. Some department stores might also sell replicated tiffany stained glass lamps. Just be sure you know what you are getting. If you are shopping in person you should thoroughly inspect the lamp for quality. If you are shopping online, make sure the seller offers a good return policy.

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Stained Glass Chandelier Parts

Stained Glass Chandelier Parts
By Sarah Freeland

Chandeliers have been around for centuries and lend elegance and beauty to any home. If you are a chandelier owner, then you know how quickly they can transform a room. Some say a dining room just isn't complete without one. If you are looking for an exquisite way to use chandeliers in your home, consider stained glass chandelier parts. Stained glass chandeliers combine the beauty of stained glass with the elegance of a chandelier in one.

The history of chandeliers is a rich one. They were first used in medieval times to light dark churches. These early chandeliers were not like the ones you see today. They were normally just wood and candles. But out of that came a lovely decorating and lighting trend. In the 15th century, gorgeous chandeliers started popping up in churches, palaces and homes of the very wealthy. Later, stained glass would be combined with these lovely lighting fixtures to create something very unique. With stained glass chandelier parts you can get in on the trend.

When the Victorian’s started using stained glass, the stained glass chandelier was invented. This is a very beautiful item and quickly became popular. You can enjoy the beauty this fusion yourself with stained glass chandelier parts. Using stained glass, you can transform just plain, old, chandelier into a true work of art.

Creating a stained glass chandelier is easy if you have the equipment. First, of course, you do need a chandelier. Look for these quite cheap in thrift stores and antique shops. Do not worry about the condition; you can do a lot to fix it up. Then shop for stained glass chandelier parts on the internet or in glass shops. Ebay is a great place to find stained glass chandelier parts.

If you are not interested in making your own stained glass chandelier, you can purchase one already made. Using stained glass chandelier parts, people have been making and selling stained glass chandeliers for years. Visit your local lighting shops to find just the right stained glass chandelier for your home. The beauty it will bring into your home will be worth searching for.

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Soldering Flux - The Stained Glass Magic Elixir?

Soldering Flux - The Stained Glass Magic Elixir?
By Tracy's Workshop

For those of us that work with stained glass, "soldering flux" is one of those "gotta use it" items that we know we need, but we just don't like to talk about. Shhh, it's secret stuff! Whether we use the liquid, prefer the paste, or swear by the gel, we understand "what" it does, but we really don't know the "how" or the "why". Today, I'll attempt to fill-in the blanks, and answer those questions.

The way I see it, fluxes shouldn't be categorized by their form factor: Liquids, pastes, or gels all work well, and it's largely a matter of preference which to use. The addition of glycerin or emulsifiers can change the form factor, but they really don't participate to a large extent in the chemistry that makes a flux "flux".

Which begs the question, "What does a flux actually do?" During the soldering action, a flux is responsible for three tasks:

1. Dissolving of the metal oxide (MO) layer of the metal,
2. Protecting the metal surface against further oxidation, and
3. Enabling the "wetting" action of the solder, by lowering surface tension.

Some may argue that a fourth task might be, "creating a strong bond between the base metal and the solder", but I argue that by the time the bonding takes place, the flux has done it's job, and has left the scene. And this is really the "why" answer; we use flux so that we can create a strong bond between the foil (or came) and the solder. In other words, we want good solder lines.

In order to understand "how" flux performs it's magic, we need to categorize them according to their chemical composition. I prefer to break fluxes down into three categories this way:

• Highly-active, acid-based fluxes,
• Rosin-based environmentally-friendly "safety" fluxes, and
• Mild restoration fluxes.

Let's look at each of these in detail:

Acid-based fluxes
This category of fluxes includes most of the "everyday" fluxes used by glassers. They contain one or more salt compounds, typically ammonium chloride (aka, Sal Ammoniac) and/or zinc chloride (aka, Killed Spirits), which are highly reactive with the metal oxides (aka, tarnish) on the surface of foil or came. These fluxes usually also contain a strong acid, such as hydrochloric acid, as a "pickling" agent.

One note about acid-based fluxes; they must be removed from your stained glass project, by washing with soap and water and/or neutralizing with "Kwik-Clean", after soldering is complete. If the flux is left on, "white mold" will develop over the course of time on solder lines. This "white mold" isn't really "mold" at all, but a continued reaction between the flux and the base metal, resulting in a moldy-looking formation of salts; namely lead nitrate (a carcinogen) or stannous chloride.

Rosin-based safety fluxes
A second type of flux, one that I prefer, is made from certain species of pine trees, specifically the pine tar from these trees. If we "distill" the pine tar, we end up with "rosin" (aka, colophony), which is a blend of mild acids and other compounds. If you've ever heard of "rosin-core solder" used in electronics, this is the same stuff wrapped in solder, albeit in a slightly different form factor. (Note: rosin-core solder should not be used for stained glass).

I like these fluxes because they are environmentally friendly; you aren't washing zinc chloride down the sink when you clean your project. And because they are milder, they can be left on your foil or came for a longer time, without fear of pitting or corrosion.

Cleanup is easier with a rosin-based flux, because it easily dissolves in water, unlike the "greasier" acid-based fluxes.

Mild restoration fluxes
These fluxes are used for restoration work, primarily lead came. They have a higher pH, and as a result, are milder. The fluxes that fall in this category are oleic acid and steric acid.

They are also a good choice for beginners learning lead came, but are not recommended for copper foil. They don't have the punch needed to pickle the copper.

Final Word
I hope I've taken some of the mystery out of stained glass flux, so that you can better understand the "why's" and "how's" of stained glass.

As always, whenever you are working with a soldering iron, you should work in a well-ventilated area, as the fumes given off (zinc oxide and acid fumes) can cause respiratory problems down the road. Also, if your skin comes in contact with flux, be sure to wash well with soap and hot water.

And always wear your safety glasses with side-shields! Molten solder can splash up in your face, so always work safely.

Until next time,

Tracy

Tracy's Stained Glass Workshop

http://www.tracysworkshop.com

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The Fusion Stained Glass ProcessBy Keith Londrie

Every progress in technology brings something new in every domain. Stained glass manufacturing is easier thanks to a wonderful technology called fusion. Many stained glass artists can see their dreams come true thanks to this process.

Glass fusion is a process meant to combine pieces of glass into one beautiful stained glass pane.

Here is how it works -

The stained glass artist will choose the big glass pane taking into account the colors, dimensions and the overall aspect of what he wants to create. On the big pane, he will place smaller colored glass pieces in the shape that he wants to obtain. These pieces will be arranged like the pieces of a puzzle.

The freedom to create is absolute; using this technique, you can place the pieces however you want, even one on top of the others. The stained glass artists are aware of the properties the glass has. In this operation, the coefficient of expansion is very important. Some glasses will shatter or break during the fusion process, so do not try this at home unless you have the necessary equipment and the required glass pieces.

All the pieces will form the theme of the “painting”. For better results, the smaller glasses will be fixed in the desired position with special glue. This glue is will not remain after the fusion is over; it will actually vanish, leaving no trace at all on the resulting glass pane.

Once the structure is glued and ready, it will be placed in a special kiln and “cooked” for about 15 minutes. The temperature will range from 500 to 800 degrees Celsius depending on the complexity of the glass pane. During this process the glass will literally melt, one onto the other. After it cools down, we will have a nice stained glass pane ready to hit the stores.

This technology gives stained glass manufacturers and artists more freedom to manipulate the glass better or in order to create astonishing effects. This way the resulting glass will be one piece. Painting and gluing the pieces together have their disadvantages. Paint will wear off its color with the passage of time and the traditional way of gluing the glasses together is very pretentious.

Stained glass appliances are various and the beauty of this art is astonishing. The effect created by the light passing through a stained glass pane is fascinating. Either you want a stained glass window or an interior decoration for your apartment, every piece of glass has its story and it is good to listen to it.

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Notes on the Development of Stained Glass

Stained glass has a long history. It started out in the homes of wealthy Roman people, its popularity soared with Gothic churches, it fell into disrepute during the Reformation, and now it has resurfaced in our homes and businesses, in addition to our churches. Now it is a rewarding and affordable hobby for people everywhere.
Before recorded history, people discovered that they could add metallic salts and oxides to glass and that would make colors; gold made a cranberry color, cobalt made blue, silver made yellow and golds, and copper made greens. It seems that wealthy Romans in their villas and palaces in Pompeii and Herculaneum were using stained glass in the first century AD. It was when Christians were beginning to build churches, based on Byzantine ones, in 313 AD that stained glass began to be considered as an art form. The earliest surviving piece of a stained glass picture was a "Head of Christ" from the 10th century. The popularity and growth of stained glass were very much tied in with the popularity and growth of churches.
In the Romanesque period, stained glass was influenced by the Byzantine style developed by Arabs. The windows on these churches were relatively small and used mainly red and blue images surrounded by white glass in order to allow as much light as possible. About 1100 AD, Theophilus, a monk, described how to make stained glass windows and his methods have hardly changed since.
It was in the Gothic period, starting in the 13th century, that stained glass windows in churches really began to blossom. Suger, the abbot of the Abbey of St Denis, was the first to build his church in the Gothic design. Gothic churches allowed for larger windows and these were made out of stained glass; Abbot Suger believed that beautiful objects would life men's souls closer to God. In the 15th century, stained glass began to be viewed more as a picture (with paler colors and larger figures) and less of an experience of (God's greatness)
During the Renaissance, there was a new emphasis on three-dimensional perspective. People considered medieval stained glass barbaric. Stained glass windows became made of white glass heavily painted and lead lines were camouflaged. Artists were patronized by the wealthy, and stained glass began to be seen in more private homes and public buildings.
During the Reformation of the 16th century, there was widespread destruction of stained glass windows, as religious imagery was not tolerated. For about 200 years, stained glass was not popular.
In England, in the 19th century, there was a revival of interest in Gothic church design, and stained glass windows with it. Gothic Revival churches of the Anglican and Episcopalian churches in America required stained glass windows, and this led to their development in America.
John LaFarge was an American painter who, in 1879, developed and copyrighted
opalescent glass; and another American painter, Louis Comfort Tiffany made it popular.
Opalescent glass was semi opaque with a milky opalescent effect and was usually a mixture of colors with streaks and swirls. Tiffany worked with the Art Nouveau style and created magnificent pieces. Tiffany used the new technology of thin strips of copper as a substitute for lead and adapted this in order to construct lampshades. The opalescent glass stayed popular into the beginning of the 20th century, but today few glassmakers make it because of the toxic chemicals required.
After W.W. 1, people were more interested in windows for neo-Gothic churches, and stained glass fell in popularity until after W.W. 2, when painting became more abstract and expressionist which influenced many artists to explore stained glass.
During the last 30 years there has been an explosion of interest of interest in stained glass. It's gone far beyond its religious beginnings. You often see beautiful stained glass windows in homes, even less expensive ones, and businesses; in addition to church windows. Most craft shows have stained glass nightlights, lamps, and/or other stained glass art objects. Although the materials needed to make stained glass are expensive, it is a very rewarding hobby. There's one thing about stained glass that hasn't changed. Creating beautiful stained glass still brings us closer to God.

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Tiffany and his stained glass

When I think of stained glass windows, or stained glass lampshades, I think of Louis Comfort Tiffany. What is his story? How did he come to create such magnificent pieces of art?

Louis Comfort Tiffany lived from 1848 to 1933. His father was the founder and main owner of a highly successful New York City jewelry and fancy goods store. This business provided Tiffany with both "know-how" and financial backing. Although he was a competent painter and a skilled colorist, Tiffany turned most of his attention and creative energies to the design, manufacture and retail of decorative arts objects. His first business became the premiere "artistic" interior decoration business in New York in the 1880s. He was especially interested in glass, and began experimenting with it to give his sophisticated clientele the living environments that they expected from him.

At that time artists applied tints and painted on glass, which Tiffany considered "dull and artificial" compared to the method of coloring molten glass with metals and other chemicals that was used by medieval artists. He, with other artists, experimented and developed a new method of making "opalescent" glass which simulated the effects of painting on glass.

Tiffany's firm eventually offered more than 5,000 colors and varieties of stained glass, and this allowed him to give his glass color and light effects that were previously unknown. Tiffany used several innovations in his work. He layered (or plated) multiple pieces of glass to add depth or to create a misty, ethereal quality, created "drapery glass" by pouring, gathering, twisting, pulling, and folding glass to simulate garment folds, melded tiny colored glass chips with solid sheets to produce a shimmering "confetti" effect often used on clear or colored backgrounds to render foliage, and studded glass with jewel-like fragments. He also wrapped glass in copper foil to depict the organic lines of flowers and foliage, and used lead came to highlight architectural lines,
In 1883 Tiffany established the first of several New York City based firms devoted mostly to the manufacture and sale of glass objects. Initially, they made religious and figural windows for churches and landscape and floral windows for private and business clients. He hired the best creative talents of the era to provide ideas, concepts, and designs for his windows. His firms made four types of windows. One was the landscape window which was rare among religious commissions but is considered his greatest achievement in stained glass. A more common religious commission was figurative windows, in which he followed theological standards of imagery and depicted faces, hands, and feet using paint. The other two types, floral and ornamental (often mosaic) were less expensive and were common in domestic interiors.
During the early 1890's, Tiffany, working with a team of other people, invented "Favrile" iridescent blown glass. This allowed him to make vases, stemware, place settings, and shades for candlesticks and oil lamps. He capitalized on the new Edison electric light bulb to start producing leaded- glass lampshades, for which he used the pieces of opalescent glass too small to make windows with. Seigfried Bing, the inventor of the term "Art Nouveau" called Tiffany's lampshades "glowing fantasies". Tiffany Studios' "Price List of 1906" lists more than 125 designs for lampshades, and these, along with his Favrile art glass, took top prizes at all the major fairs and expositions between 1900 and 1910.

The Art Noveau movement which was popular at the time, and his lifelong interest in horticulture, inspired Tiffany to favor naturalistic designs for his stained glass. His beautiful and innovative floral motifs for his lampshades were implemented by a team of prize winning designers. Tiffany's stained glass business lasted 50 years, until the 1920's, and during the height of their popularity, Tiffany windows were very expensive symbols of prestige. An average three-by-five-foot piece cost $700 at a time when Tiffany's own artisans were paid $3 a day.
Louis Comfort Tiffany revolutionized and dominated the American stained glass business throughout the late-19th and early-20th centuries. He was the best known and most prolific of American stained glass artists. Fortunately, the revival of interest in Tiffany windows has encouraged their restoration, so we can still marvel at them today.

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StudioGallery Celebrates Launch of New Mixed Media Exhibit; Grand Opening Features Exhibition by Master Studio Glass Artist James Stone

Inspired by the underwater world of the oceans the artist work today is the convergence of his experiences of living around water from early childhood through adult life. As a boy the artist was fascinated with the mysteries of underwater existence. The liquid crystal quality of water, (which resembles that of glass) and the never-ending study of the strange and wonderful creatures that lived with in it, became a life long passion. Creating illusions of underwater environments in glass, copper and water infuses the work with the life-force energy of fire and forge. It?s artist?s hope that as the viewer becomes lost in the sight, sound and feel of the work, they become gently charged with that same life-force energy, while still experiencing the peaceful relaxing sense of visiting a strange and wonderful underwater world.

The artist?s techniques of combining the elements of copper, water and glass are steeped in the ancient history of humanity. Copper and glass share that long history, both being products of the smelting pot and 5000 years of development. Water is perhaps nature?s most essential element, enabling life itself. As an artist who enjoys working in the ancient arts, it became clear that copper, water and glass are the perfect palette.

The exhibit is curated by StudioGallery. For over 14 years, StudioGallery has been exhibiting artwork in alternative spaces and in alternative ways. Unlike a traditional gallery, StudioGallery brings artwork to public places with the goal of building a bridge between the art world and the community. This concept provides the artist with a valuable opportunity to gain exposure while at the same time allowing us to provide for our clients and collectors a wide variety of artwork all in one unique gallery experience. By utilizing readily accessible locations such as restaurants, hotels, and other public places, StudioGallery introduces art in different and dynamic ways.




CONTACT: StudioGallery
Antoinette Sullivan, 949.851.9181
studiogall@aol.com www.studiogallery.net
18001 Skypark Circle, Suite R
Irvine, CA 92614

or
James Stone
858.485.7701
jamstone@cox.net
www.stoneandglass.com

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Artist Launches Public Project: Glass Art Treasures Free for the Taking

Toledo, Ohio January 27 2004--Beginning February 1, 2004, and throughout the remainder of the month, small works of glass art will be left in various places around the city of Toledo, Ohio by Black Swamp Glassworks, a private central-city glass studio. These beads, vessels and small sculptures will be signed and tagged with a card explaining the project and clarifying that the found art belongs to the finder. The items will be left near shelters, in libraries, under bridges, in alleys and other spots around town.

“This is my latest attempt to get art into the hands of the people, which is where it belongs”, says the artist, known simply as ‘Tink’. “Too often, art is treated as and perceived as being only for the privileged. Ironically, so much of what goes into art comes from the experiences of the oppressed, marginalized and forgotten segments of society. This is just my small attempt to chip away at those barriers and help reset the equilibrium. Everyone deserves to have art in their lives.”

Why February 1? That is National Freedom Day, which memorializes the signing of the 13th amendment to the constitution in 1865. Its purpose is the promotion of good feelings, harmony and equality among all US citizens. Major Richard Robert Wright, Sr., a former slave who was active in education, finance, politics, and journalism, founded the National Freedom Day Association worked toward establishing this national day to commemorate freedom for all people.

A webpage has been established for discussing this public art project, and for logging your finds:
http://blackswampglassworks.com/publicart

Tink is a glass artist with a background in social work who lives in Toledo's Old West End. The award-winning artist teaches classes at Gallery B. She has studied privately with Robert Mickelesen, an artist represented in the current exhibit at the Toledo Museum of Art: "Contemporary Directions: Glass from the Maxine and William Block Collection" which runs through February 15, 2004.

For information about contemporary art stained glass, visit http://yourstainedglassinfosite.com/artcontemporaryglassstained/

New Jersey Glass Artist's Work to Benefit Breast Cancer Program in Washington, DC

May 13, 2004 -- When Washington dignitaries gather at the National Press Club on May 13th to “Celebrate Life’s Mosaic,” the room will be aglow with the vivid colors and designs of a New Jersey glass artist.

Stained glass artist Emily Holmes of Bloomsbury, N.J., designed and handcrafted 30 one-of-a-kind glass lanterns specifically for the 13th annual Jo Oberstar Memorial Lecture and Honors, a lecture program benefiting the George Washington University Breast Care Center.

“When I heard that the evening’s theme was ‘Celebrating Life’s Mosaic,’ I immediately pictured colorful lanterns featuring a variety of themes from nature. Some of the lanterns look like flowing water with river rocks; some resemble trees, ocean waves or women. Each one is unique, but they are all related to the theme of celebrating life,” Holmes said.

Any lanterns that do not sell at the event will be available for sale online at www.holmes-arts.com later this month.

The Jo Oberstar Memorial Lecture and Honors was established in 1991 by the George Washington University Medical Center and Congressman James Oberstar in honor of the Congressman’s late wife, Jo Oberstar, who died of breast cancer. Proceeds from the event help fund the Mobile Mammography Program, which offers breast cancer screening and education to women throughout the Washington metro area, regardless of their ability to pay. The 2004 event committee includes Cokie Roberts and Tipper Gore. Willard Scott is the featured speaker.

Holmes is also donating an original 12” by 20” stained glass window, titled “Mother Nature.” It will be auctioned off during a silent auction, and all proceeds will go directly to the Mobile Mammography Program.

Holmes has degrees in Art and Art History from Duke University and has worked as a graphic designer and artist for seven years. She began working with glass in 2002. Holmes participates in several area art shows, including the Bloomsbury Fine Art & Craft Festival and the New Hope Arts & Crafts Festival in Pennsylvania. She also offers commissioned work, and her candleholders, lanterns and sconces are available for sale in stores throughout the country. She is a member of the Pennsylvania Guild of Craftsmen. Visit www.holmes-arts.com for more information

For information about antique stained glass door, visit
http://yourstainedglassinfosite.com/antiquestainedglassdoor/

The Australian Wine Glass has been created

September 1, 2004 -- Hans Sander has designed a distinctly Australian wine glass with kangaroos and grapes in a contemporary setting.

The glass is handcut in 23% led crystal measuring 80 x 240 mm and holds 310 ml.

The famous ringing sound is a fail-safe test identifying true crystal. Heaviness is another factor. The lead content of crystal makes it heavier than ordinary glass and gives it more balance.

-"When designing the glass" – says Hans, -"I thought I should come up with something that would add to the enjoyment of drinking wine in Australia and, at the same time, make an attractive glass that would also be of interest to overseas visitors and, especially as a corporate gift. Also, in todays modern society I think one glass would be enough for either red or white, make it easier for everybody from home hosting to restaurants"

So, a contemporary crystal glass with classic body was created and is now on the Australian market.

For information about antique stained glass, visit http://yourstainedglassinfosite.com/antiqueglassstained/

Limelight Signs Zingara Yuli, Internationally Known Contemporary Glass Artist

MENIFEE, CA May 3, 2004 –– Limelight, an agency representing artists and artisans specializing in custom work for architectural, interior design and landscape applications, has signed contemporary glass artist Zingara Yuli and ZY Glass Studio, agency principal Jean Clement today announced.

Zingara Yuli is an internationally known, up-and-coming glass artist who pushes the boundaries of glass art by melding traditional glassmaking techniques with a unique vision to create distinctive textures, shapes and colors for doors, windows, room dividers, light fixtures, tiles, furniture, sculptures, wall hangings, and designer plates. She often mixes media, incorporating materials such as metal, fibers, plastic, paints and enamel into clear or colored glass.

Yuli's style is influenced by her world travels and many years of living in South America, primarily in Brazil, as well as her appreciation for the art of Pablo Picasso and Alexander Calder.

She holds a bachelor's degree in Industrial Design from Faculdade da Cidade in Rio de Janeiro and has studied at Pilchuck Glass School, Art Students League, and Urban Glass. Her work has been exhibited in the United States, Brazil and Europe and featured in several art and decorator magazines.

Limelight represents several artists/artisans whose custom work is commissioned by building and landscape architects and interior designers for commercial, hospitality, residential and public space applications. In addition to CT-based ZY Glass Studio, they include Balquist Carving Studio in MA, KTS Art Studio in NJ, Michael Fannin Stone Wright in VT, Reflective Works in NM; Glassworks in WA, and Aaron Van de Kerckhove, Armitage Designs, and Mosaic Store in CA. To see samples of work by ZY Glass Studio and the other artists, visit Limelight's award-winning web site at www.limelightart.com.

Online Art Store

The company's web site also features The Art Store which offers for sale unique decorative and functional art objects created by some of the artists. The pieces, which would add distinction to any home as well as make treasured gifts, are available as shown or can be customized to buyers' specifications. Single and multiple-quantity orders are welcome.

For more information, contact Limelight at 909-679-6388 or info@limelightart.com.

For information about arched stained glass windows, visit
http://yourstainedglassinfosite.com/archedstainedglasswindow/

Fenton Art Glass Sends A Message of Love

(Williamstown WV). Follow your heart to the Fenton Art Glass Company's newest offer, a Cranberry Opalescent Heart Optic basket, just perfect for that "special someone" on Valentine's Day. Fill it with kisses and send a message to the one you love.

Cranberry Opalescent glass is made only in America by the skilled glassworkers at Fenton Art Glass, where techniques were pioneered more than five decades ago. The heart optic motif requires expert craftsmanship and Fenton artisans have mastered the technique of "striking" the hearts so that the white opalescent hue contrasts beautifully with the vivid cranberry color. Fenton glass collectors and gift givers alike will fancy the Heart Optic basket as an expression of affection.

Fenton Art Glass Company represents handcrafted glass artistry since 1905. Located in Williamstown, West Virginia, Fenton is known for its wide range of glass colors, handpainting and handcrafting. Three generations of Fenton family members remain active in the business and are proud to continue an American glassmaking tradition. For additional information, visit the Fenton web site: www.fentonartglass.com

For information about antique stained glass church windows, visit
http://yourstainedglassinfosite.com/antiquestainedglasschurchwindow/

Ruben Caruana is promoting his work with website designer Greg Sinclair of of www.A-WEBSITE-4U.co.uk

September 25, 2004 -- Ruben Caruana has been developing a specialised method of stained glass construction over the past 20 years. This has now come to fruition in his unique stained glass display cabinets. His website www.stainedglassdisplaycabinets.co.uk shows many examples that have been commissioned for clients.

Asked why he enlisted Greg Sinclair to promote his stained glass display cabinets, he answered, 'Greg is able to get a website on the Internet in 5 days, this is remarkable. Also, his communication with me is top-notch, he is always available and answers email and updates my site extremely quickly. He is helping me promote my cabinets and is doing a great job of it'.

A recent press release extols Ruben and his work:
Caruana Showcases Ornamental Backlash In Decorative Arts.

A Design Week article "More is More", by Sara Manuelli, trumpeted the return of opulence and decadence in design; "After years of minimalist rule, decoration is no longer perceived to be a crime…luxury, profusion, sometimes even an excess of material are stating the case for the return of sensuality".

March 14, 2004--This renaissance in ornamentation is also happening in the field of glass. UK-based, Designer / Craftsman, Ruben Caruana has developed over 20 years, unique, illuminated stained glass Art Cabinets to a design never previously created, even by glass design masters such as Tiffany and Lalique.They are now being regarded, by many Fine Art insiders, as a new Art-form and a possible future design classic with investment potential.

Hand-built and created almost entirely from glass, the latest cabinets are an interior, illuminated, architectural , fully glazed (6 sided) three-dimensional stained glass form; only made possible by the use of pioneering contemporary construction methods. This enables the use of high-load tolerant glass walls and glass shelves.

They also feature clear, iridised and opalescent glass, custom-built hinges, rebated doors, decorative handles inset with glass jewels, mirror glass backing and ebonised wooded crowns and plinths and concealed low-energy halogen lighting. The most recent cabinet "Palms",6'6" high, 3.5' wide, 14" deep, weight 180 kgs, was safely delivered to America contained in its purpose-built, 3-stage, transportation crate.

The cabinets provide a means to present and protect valuable, often delicate works of art. All cabinets are hand-made and custom-built to commission only. Typical clients are American and British art collectors who appreciate the design choices complimentary to their object'art collections and/or interior décor.

Recent feedback from the prestigious New York Armoury Antiques & Fine Art Fair and Palm Beach Art and Antique Exhibition, confirm Ruben Caruana's growing reputation as the World's only acknowledged Stained Glass Art Cabinet-Maker.

Unavailable from any other source, the cabinets' innovative application of decoration and technology has resulted in gaining a ‘Spirit of Ingenuity' business award, an invitation to compete for Jerwood Prize - Glass and now the International Festival of Glass Biennale Award 2004.

Contact Details
Greg sinclair: info@a-website-4u.co.uk
Cabinet Images Online

Selected previous commissions may be viewed on website: www.stainedglassdisplaycabinets.co.uk

Retail Outlets
Three exhibition cabinets, "Portobello" ,"Gothic" & "Empire" are on show and for sale at London's World famous Portobello Road at Hickmet Fine Arts, 75 Portobello Road, London SW1Y 6AA

Celebrity Quotations
Viscount Linley,Designer / Craftsman, David Linley Furniture, "…Interesting"

Barbara Hulanicki, Interior Designer, Biba / Island Outpost Hotels: "…Very Beautiful".

Sir Terence Conran, Habitat: "…Ruben Caruana's work sounds very interesting."

Sir Richard Branson, Virgin: "…Ruben's work looks amazing."

Anita Roddick, Bodyshop: "…Ruben's work looks very unique…and is beautiful."

Betty Jackson, leading Fashion Designer: "…most impressed with Ruben Caruana's work."

For information about antique stained glass window for sale, visit
http://yourstainedglassinfosite.com/antiquestainedglasswindowforsale/

A WINDOW THAT CLEANS ITSELF? New glass Uses Sun's Rays to Make Windows Self-Cleaning, Freeing Up Time

Do you do windows? Now, you don't have to.
This summer, Pilkington North America was the first glass manufacturer to introduce and produce a new glass product that just might make washing windows a thing of the past.

"Your time is very valuable, and with Pilkington Activ™ Self-Cleaning Glass, you can spend less of it cleaning windows and more time with family, playing golf and other activities," said Rick Karcher, president of Pilkington Building Products North America, Toledo, Ohio.

Pilkington Activ™ Self-Cleaning Glass is a new glass that uses the sun's UV rays to gradually and continuously break down and dissolve organic dirt through what's called a photocatalytic effect. After being installed, windows with Pilkington Activ™ Self-Cleaning Glass will need to be exposed to UV rays for several days to activate the photocatalytic properties. Once activated, the photocatalytic process will continue to work at night and even on cloudy days.
At the same time, it reduces the surface tension of water to cause it to sheet down the surface and wash away dirt to leave windows clean. This is called a hydrophilic effect.

Pilkington Activ™ Glass can be used in new and replacement windows and skylights in homes, apartments and condominiums. It can also be used in commercial and institutional buildings, such as offices, schools and universities, retail stores, etc.

Pilkington Activ™ Glass is the first and only glass currently available with self-cleaning properties. The microscopically thin chemical composition (titanium dioxide) that gives Pilkington Activ™ Glass its characteristics is applied to a surface of the base glass while it is in its molten state during the float glass manufacturing process. Therefore, the composition becomes an integral and permanent part of the glass – rather than applied as a spray after the glass is produced.

As of early December, more than two dozen window manufacturers and commercial glass fabricators in the U.S. and Canada offer Pilkington Activ™ Glass. (See end of story to see how you can locate the manufacturer/distributor near you.)
"It's not that you'll never have to clean your windows again, but the frequency and amount of time cleaning windows will decrease significantly," added Karcher. "And, you won't give up anything in terms of aesthetics. Windows with Pilkington Activ™ Self-Cleaning Glass will be nearly as clear as any other window."

Windows and skylights with Pilkington Activ™ Self-Cleaning Glass offer homeowners and building owners some key benefits:
> Saves time by significantly reducing the need to clean windows. If there is a dry spell, simply spray the windows with water. No detergent or window cleaner is needed. What dirt that hasn't been dissolved will be wiped away by the sheeting effect of the water. For homeowners, this frees up more time to spend with family members or devote your attention to more pressing needs around the house.

> Saves money by eliminating the need to buy window cleaning detergents, soaps, etc., or the need to hire a service company to clean your windows.
> Safety. Eliminates the need to climb ladders – usually carrying a bucket full of cleaning supplies – to the second and third floor windows, or even up on the roof to clean windows. For the majority of homes, most windows can be reached with water from a garden hose.
> Eliminates the run-off of potentially harmful detergents into the environment.
Pilkington Activ™ Self-Cleaning Glass is manufactured at the company's Ottawa, Ill., plant, located approximately 80 miles southwest of Chicago.
"Pilkington was the first glass manufacturer to come up with a product that can stand up to the elements over, say a 20-year period. The tests we've done on Pilkington Activ™ Self-Cleaning Glass suggest that it will last at least that long," Karcher said.
Though, as Karcher noted above, homeowners and building managers can expect Pilkington Activ™ Self-Cleaning Glass to last a long time, Pilkington guarantees it for10 years.

For more information about Pilkington Activ™ Self-Cleaning Glass, call 1-866-88 ACTIV (1-866-882-2848), or visit www.activglass.com, and click on North America.
Pilkington, with North American headquarters in Toledo, Ohio, U..S.A., is an international company and is a leading producer and supplier of float glass for architectural, residential, furniture, mirror and specialty applications.

For information about antique stained glass, visit http://yourstainedglassinfosite.com/antiqueglassstained/

Myra's Art Gallery and Crafts Studio in Pine Arizona has Gallery Space Rentals and Consignment Space Available,

September 5, 2004 -- Myra's Art Gallery and Crafts is moving to a much larger building. They are right across from the Post Office on State Route 87 in Pine, Arizona. She now has much more room for additional artists, crafts artisans, and more.

Space rentals and consignment space are available. Submissions will be juried. The new gallery will be open in time for the Annual Pine Arts and Crafts Festival on September 1-3, 2004.

Contact Myra Kraemer at 928-476-2256

Myra's Gallery features artworks of 37 outstanding artists including Bill Ahrendt, Hugo Dizzino, Jack Greenshield, Jason Huffman, Doug Katonak, Frank Miller, G.K. Kivial, and Ruth Overton. Artwork and Handiwork of about 75 artisans and crafters is also displayed. Consignments are welcome and rental space is available as well as custom framing, and arts and crafts classes.

The impressive array of prints, original paintings, sculpture, photography, hand crafted gifts, wind chimes, dream catchers, jewelry, pottery, stained glass, etched glass, and greeting cards is constantly changing.

Steel silhouette art is very popular in standard or custom designs. Metal art and western metal wall art are popular accessories for garden and yard ornaments.

Myra's Art Gallery and Crafts Studio also features Arts, Crafts, Paintings, Sculpture, prints, photography, custom framing, stained glass, etched glass and many additional fine arts and arts and crafts items.

Myra's Gallery is featured on Arizona Entrepreneurs at:
http://www.arizonaentrepreneurs.com/myras-art-gallery-and-crafts.html

and on the Arts and Entertainement Weblog:
http://www.quotesexchange.com/arts-and-entertainment.html

For information about antique stained glass lamps, visit http://yourstainedglassinfosite.com/antiqueglasslampstained/

ARCHITECTURAL TREASURE TROVE GETS LARGER - Barnegat, NJ Architectural Salvage Company Doubles its Space To Accommodate Rare Treasures

FOR IMMEDIATE RELEASE
CONTACT: Steve Dubin, PR Works, (781) 878-9533, sdubin@prworkzone.com

ARCHITECTURAL TREASURE TROVE GETS LARGER -
Barnegat, NJ Architectural Salvage Company Doubles its Space
To Accommodate Rare Treasures

DATELINE: BARNEGAT, NJ; ISSUED JULY 29, 2002...More room for a mantle from an old Victorian, French doors from an old estate, gargoyles, classic bar glass from the kind of neighborhood bar we all miss and stained glass that made churches majestic. Recycling the Past, the region's leading architectural salvage company has recently doubled their space to accommodate increased inventory in their fast-growing salvage business.

Located on the New Jersey shore at 381 North Main Street in Barnegat, Recycling the Past has recently purchased the property adjacent to their existing display yard and showroom to expand their space from one acre to two acres. This will accommodate their unique household and vast garden treasures for display that have been carefully salvaged and preserved.

"We have always traveled all over the country to salvage rare architectural pieces and we have always catered to clients across the U.S. But, constantly adding new items and fresh content and items to our website , demand for our product has significantly increased fueling a need to vastly increase in our inventory," noted Matthew White, founder of Recycling the Past. "This expansion will help us accommodate our growing accumulation of eclectic and rare pieces that just can't be found elsewhere."

FROM BACKYARD TO STUDIO SET
Recycling the Past specializes in collecting new items to stimulate the senses and trigger the imagination, harvesting treasures from cities and farms across the country. Because of their unique product, the company has most recently provided architectural pieces to MTV studios for use in a beach house set. Bruce Springsteen and Martha Stewart have also acquired one-of-a-kind items from the company.

PRESERVING AMERICA'S TREASURES
Founded in 1994, the family owned and operated Recycling the Past is a full-scale architectural salvage operation located in historic Barnegat, New Jersey. Committed to excellence, Recycling the Past is proud of their ability to preserve America's treasures and is a leading, dependable and reliable source for recycled architectural pieces.

Offering an eclectic variety of treasures such as: architectural antiques, mantles, stained glass windows, lighting fixtures (both interior and exterior), iron gates, and fencing to garden elements such as furniture, urns, statuary, and fountains, the company's goal is to meet the needs of everyone from the do-it-yourself inclined, to contractors, renovators, designers and collectors.

Recycling the Past searches backcountry roads and explores storied urban neighborhoods for treasures of the past, salvaging highly desirable, hard to find antiques. The company often uses traditional demolition and dismantling techniques to obtain items. Recycling the Past purchases the salvage rights to some of the most interesting estates, mansions, public buildings and historical sites across the U.S. Recycling the Past is headquartered at 381 North Main Street, Barnegat, NJ, forty-five minutes north of Atlantic City, and an hour and a half from New York City. For more information, visit www.recyclingthepast.com or contact (609) 660-9790.

For information about antique church stained glass, visit http://yourstainedglassinfosite.com/antiquechurchstainedglass/

Embossed Votive Holder Shade

Embossed Votive Holder Shade
Create the look of a Stained Glass Votive Holder

Supplies Needed:
Most items can be found in the Scrap booking/Stamping section of your local craft store.
Straight-Sided Clear Glass Votive Holder
Vellum
Craft Markers of various colors
Hole Punch
Decorative String
Embossing Powder in your choice of color
Versamark Ink Pad
Embossing Heat Tool
Scissors
Tape Measure or Ruler

1. Measure the height and circumference of your Glass votive holder with a tape measure or ruler. Use these

measurements to cut out a piece of vellum. It is important to make sure that the vellum does not extend past the

top of the votive holder because this will increase the risk of a fire hazard.

2. After you have planned your design with your stamp(s), use the Versamark ink to stamp the design onto the

vellum. At this point the design will be clear.

3. Now sprinkle the embossing powder onto the stamped design. Turn the vellum upright and make sure all stray

powder has been shaken or tapped off. Also make sure that your entire design has been covered in powder. You

will be able to see this because the embossing powder will stick to the design that you stamped with the

Versamark inkpad.

4. Use your Embossing Heat Tool to heat the powder. But be careful because the heat tool can get VERY hot! You

will now have a beautiful raised design of the stamp you chose! Let cool for 1-2 minutes.

5. Now you can just color inside of the design on the opposite side of the vellum. Darker Colors look better for this

as they give a bolder appearance when the candle is lit. Allow to dry for approximately 5 minutes or the colors may

smear.

6. Finally, use your hole punch to make holes in the center of the shortest sides of the vellum. Run your string

through these holes and tie around your votive holder!

And, VOILE! A One-of-Kind Votive Shade that was fun and inexpensive to make! You can find more candle

decorating ideas at www.ExpressiveCandles.com

This Article was written by Michelle Gauthier of www.ExpressiveCandles.com. Michelle owns and runs Expressive

Candles. They offer hand poured scented candles and shaped tarts. Michelle also has written other candle

decorating articles, tips and candlescaping articles.

"Optional Image for Article: http://www.expressivecandles.com/emailnewletter/votivecovers.jpg"

This Article was written by Michelle Gauthier of www.ExpressiveCandles.com. Michelle owns and runs Expressive Candles. They offer hand poured scented candles and shaped tarts. Michelle also has written other candle decorating articles, tips and candlescaping articles.


For information about stained glass Christmas angel ornaments, visit
http://yourstainedglassinfosite.com/angelchristmasglasspatternstained/

Glassmasters Promotion

Mitchell Fox has been promoted to president of Omnia corporation. The Virginia based manufacture and wholesaler of museum reproduction stained glass trades under the name Glassmasters and is known worldwide for the ability to fire layered enamels into lasting and luminous reproductions. In addition to museums, the company works with foundations, artists, and other non-profits to create reproductions with the mission of assisting museums by contributing royalty revenues.

"Mitch's expertise in furthering the technology of this unique medium plus his art background have contributed greatly to the growth of the company since 1985 and is well-deserved," states Martha Call Gibby, CEO of Omnia. Glassmasters recently won an award sponsored by Society of Glass and Ceramic Decorations for flat glass decoration.

For information about stained glass, visit http://yourstainedglassinfosite.com.

Stained Glass Artisans Gain National Acclaim

Glassmasters, the stained glass artisans of Richmond, VA., continues to grow in reputation and repertoire this year. Their reproduction of Michael Smith's Mad Bluebird has been mentioned in the news nationwide, and even compared in Time magazine to Madeline Albright's grimace.

Glassmasters is introducing several new products this Spring, including a scaled replica of a fountain designed by Louis Comfort Tiffany for a private solarium in Newark, NJ. Utilizing the techniques perfected by Tiffany a century ago, this fountain combines a serene Tiffany landscape with the healthful effects of a gentle stream.

Other noteworthy reproductions include:

Space Window (reproduced from Washington Cathedral)
2 Lincoln Center reproductions, both by Marc Chagall
Many new lamps (mentioned in the New York Times)
New reproductions authorized by the Frank Lloyd Wright Foundation

For more details, see "In the News" on Glassmasters' Website: www.glassmasters.com

For information about stained glass, visit http://yourstainedglassinfosite.com.

Taking Your Words Seriously

When we ordered the stained glass window as an accent piece for our home, the artist-proprietor told us he was a bit behind. "So," he said, "to be on safe side, plan on six months." That was two years ago. We still don't have the window. Each time we call or stop in, he has yet another plausible reason why our project isn't done, the appropriate apology and a new promise of a delivery date. What he doesn't have is credibility.

Wishful promises don't cut it in small-town businesses or big-city corporations. It doesn't matter what role you're in. If you tell me you'll do something, I expect you will do it whether you're a business, an employee, a co-worker or my boss. You're the one setting my expectations, so why wouldn't I believe what you tell me?

It baffles me. I've found in twenty years of management few people meet or exceed the expectations they set and they control. I'm not talking about deadlines other people set for you. I'm talking about the ones you establish. Maybe it's because few people take their own words seriously. If you do you can differentiate yourself at work. People who consistently do what they say they're going to do, without sandbagging, are memorable. They're the people with credibility. They're the ones you want to hire and promote and do business with.

People fail to establish credibility without even knowing it. If someone tells me she'll provide information by Friday, but what she meant was "around Friday," she'll feel she met her obligation to me when she pushes send on her email Monday morning. I'll view her as lacking credibility when the information for a project I wanted was late. However, if she told me I'd get the information no later than Tuesday and delivered it on Monday, while her delivery date remains the same, her credibility soars. By managing the words that define what others can expect from you, you can surprise and delight your co-workers, boss, and customers.

To do that, replace casual-speak and wishful promises of what you'd like to have happen or believe can happen, with commitments of what will happen. But here's the key. You can't commit what you can't control. If I tell a member of my staff he'll get his review next week, but I only control when I finish writing it not when it's approved, the likelihood of me failing to meet an expectation I set with him is strong. But if the review is written, signed by my boss, and in for processing at the time I set the expectation, I'll meet it.

Our delinquent artisan could have called three months into the project, told us he accepted an unusual opportunity to restore an historic building, was putting his other projects on hold until that was complete, and offered us the choice of waiting until he resumed work or getting our deposit back. He could have preserved his credibility and the relationship.

Actions may speak louder than words. But it's our words that provide the backdrop for whether our actions measure up. If I'm your customer, your boss, or your co-worker, I'm taking your words seriously. I think you should, too.

(c) 2004 Nan S. Russell. All rights reserved.

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Nan Russell has spent over twenty years in management, most recently with QVC as a Vice President. Currently working on her first book, Nan is a writer, columnist, small business owner, and instructor.

For information about stained glass, visit http://yourstainedglassinfosite.com.